Street Art in India: Hendrik Beikirch Presents Gandhi at the Street Art Festival Delhi

Gandhi-Mural

Mahatma Gandhi is hailed as the ‘Father of the nation’ in India. Recently, the capital of this country, New Delhi, saw a mural of Gandhi peeping from the walls of the Delhi Police Headquarters. Unveiled on the death anniversary of Gandhi, this mural was a part of the first ever street art festival in India held in February, 2014.

“Artistically it is a challenge to work from an existing photograph, it gives you kind of a limited space to add your own artistic characteristics to it, but I really feel we managed to master the task on this one. I think the placement of the mural with the high visibility either from the roads, the commuter trains or the metro makes it really unique,” says Hendrik Beikirch. It was probably the first time that Hendrik painted a famous face like that of Gandhi.

Gandhi-Mural1

A freelance artist from Koblenz, Germany, Hendrik Beikirch ‘ECB’ completed this mural with an Indian graffiti artist Anpu. Known for the black and white portraits on canvas or large buildings,ECB mostly chooses anonymous faces and changes them into dreamy, poetic portraits.

“Inspiration could come through seeing the guy working long night shifts in a pizza joint in Brooklyn or a total stranger in a filling station somewhere in the Russian nowhere. Real expressions, faces with stories to tell, that’s what I am searching for,” says ECB. A nearly 230-foot tall mural of a man’s face ECB painted in South Korea in 2012 stands as his tallest work in Asia.

Mural-in-South-Korea

These magical faces, sometimes stretched or distorted, communicate to you on a subconscious level. You always feel you have seen this face somewhere. As ECB says, “elevating the subjects to iconic status and yet leaving them unknown, the portraits are a tribute to anyone and no one. They ask uncompromising questions about the nature of recognition and status in modern society.”

ECB has had continuous work-travels to Canada, USA, Mexico, Thailand, Australia, India, Hong Kong, China, Chile, Belarus, Russia and European countries. “Over the last years my work is done with grey, black and white paint, as I feel it suits my ideas best. If it comes to a lot of colors it makes it more difficult as a color is always attached to a certain emotion,” he explains.

Graffiti artists usually paint their signatures but ECB just leaves his ‘faces’ around. He clarifies, “I feel it would interfere with the text that I always incorporate into the paintings. I use the lyrical parts to open up additional worlds, to specify and add meaning.
 Also typography catches attention, it serves like an entrance for the viewer. 
As I used this typography for over 15 years now it has become my trademark or so to say signature.”

Graffiti is the new form of ‘expression’ gaining a lot of popularity in India recently. Usually the walls of India were painted with the government vote demands, national schemes or with public messages, which recently were replaced by creative and sometimes socially relevant graffiti.

“As this art form is a comparatively new phenomenon in India and that the Delhi Street Art festival really was a cornerstone for this, I feel that the first steps are always magical moments. It has been a blessing that I had the chance to be a part of it. I definitely think street art in India has a place to grow in the future due to so much talent and enthusiasm.”

People of Delhi have also welcomed this new wave of art and communication enthusiastically. Comparing his experience in Delhi to European countries, ECB thinks, “Delhi is way more vivid, also way larger in terms of population figures.
 Life is happening more on the street, which is a big advantage for street art as an art form. The audience has been really enthusiastic about the work as well as kind and helpful.”

Graffiti today has emerged as a strong medium of communication. With its root in the public space, a person just cannot ignore it. India as a nation is full of art and culture, and its walls are usually very colorful with Bollywood movie posters or random street art.

Street Art Festival Delhi is probably the new wave bringing in global artists to India, and giving Indian artists more palette to color and experiment. And making global art and art in general more accessible to the masses.

“While working in open and public spaces, artistic work always interacts with both the space and the public. It is a reciprocal form of communication in many ways.
With a mutual affection this is the major advantage I see in working outdoors. Working in a sheltered space like a museum or gallery, it needs a different visual language, a different approach to capture the energy and essence of the street,” comments ECB.

Hendrik ECB Beikirch fits in the group of those who try new approaches and creative tools to interact with public space and keep feeding the crowd with intellectual and poetic art. Like random photographs of people and faces that you cherish, ECB faces always echo in your mind.

Watch out for this artist and who knows you may be his next inspiration and face!

(This article was earlier published on Mumora.com , May 5, 2014)

One for the Road

The world I dwell in,
where everybody slowly deceases,
and I slowly come into being..
when the smog clears, I come forward..

The world I dwell in,
where everybody is barmy or am I ?
when everybody sleeps, I open my eyes,
to see my cosmos, my dreams, my yearning

This faint sheen gives me the ability, the energy
the hope that recedes, clears its dust
my wings yawn, my eyes twinkle
everyone goes dead and I am ‘born’

only a true self can vision me,
serene and tranquil breeze I fly with
I touch the zenith…
I touch the dust…
I touch ‘you’…

My tears dry, assuaging all pains,
smile sparkles as the queer light falls..
I become despotic, I own the zone!
And I am here till the fluorescent and vibrant
light forces me to close my eyes!

(This poem was earlier published on Wordweavers India– November 2013 Edition)

A Guide to Delwara: The Town of the Gods

India has always been hailed as traveller’s heaven, and what makes this country more beautiful and exciting is not just the presence of magnificent monuments but its rich heritage and culture, which is present in various forms throughout the country. Nowhere is this more evident than in Rajasthan’s Delwara, known as the ‘town of the Gods’ due to the high density of temples it contains, as Sana Amir explains.

Photo- © Paul Asman and Jill Lenoble/Flickr

Photo- © Paul Asman and Jill Lenoble/Flickr

Udaipur, Rajasthan is one of the places in India which attracts a lot of tourists as well as historians. It is known as the ‘city of lakes’ and is a place where one of the most vital battles in Indian history was fought — the battle of Haldighati in 1576 between Mughal Emperor Akbar and Maharan Rana Pratap Singh I. Situated 28 kilometres outside of Udaipur on the way to Nathdwara is another gem, the ‘town of gods’— Delwara.

Delwara was originally known as ‘devkul paton nagri’ which means ‘the town of gods’. And true to its name the town at one time boasted approximately 1000 temples, out of which there were about 400 Jain Mandir Temples. Raja Sampriti (the King of Mewar) built about 100,000 temples during his reign. In fact even today every street in Delwara has at least one temple.

Photo- Udaipur seen from City Palace | Courtesy Sana Amir

Photo- Udaipur seen from City Palace | Courtesy Sana Amir

History of Delwara

The kingdom of Mewar was originally divided into 16 rajwadas or districts, of which Delwara was one. Along with Badi Sadri and Gogunda, Delwara was ruled by the Jhala Rajputs. The rulers at the time of the construction of the famous Jain temple were Maharana (Great King) Mokal, who was followed by Maharana Lakha and then Maharana Kumbha. Delwara, Nagdha and Aayad were the centres of learning and culture during the fifteen century. Delwara was a large town and spread from Gandharva sagar pond to Nagda. Today only 25 per cent of the original town has remained.

Jason Silberstein, who volunteers for Non-Governmental organization Seva Mandir, organises Delwara Heritage and Community Walks throughout the summer. According to him Delwara heritage is important because the sites not only talk about physical history or social inheritance but are the sites of social change. The heritage walks have been organised to promote conservation and awareness about the rich history and legacy of Delwara.

Jason has trained six local Delwara boys in English who have spent hundreds of hours researching and training for about a year and will be guides in the heritage walk. Each walk offers a window into small-town India and explores the past decade of transformative development and social changes brought about by the people of Delwara and Seva Mandir. Each walk is distinguished by the guide’s own stories, opinions and relationships.

Highlights of Delwara

Palera Talab: A large lake standing at the entrance to Delwara, it was built around 1875 AD by Queen Sajjan Kumari in the memory of her late husband, the Jhala prince Mansinghji, who died at a very young age. Two chhatris (small domed panilions) ornament the lake, adding to its charm. The name Palera Talab is derived from the Sanskrit ‘palankarta’ which means ‘protector’— an appropriate name given that the lake is the town’s main source of water.

Photo- Jain Temple Under Construction | Courtesy Sana Amir

Photo- Jain Temple Under Construction | Courtesy Sana Amir

 

Statue of King Mansingh III: This beautiful, life size, white marble statue stands in the centre of Sajjan Vatik opposite the Bahdvan Vaikunthnathji temple.

Trimukhi Bawri: This ancient stepwell, named for its triple entrance, was built by the Shrimali Brahmins for rites and rituals associated with the mandir of Hanumanji.

Parshvanathji Bhagvan Temple: This 900 year-old Jain temple belongs to the Shwetambar Murtipoojak sect of Jains and is dedicated to Bhagvan Parshwanath, the 23rd ‘teerthankara’. Recently the Jain community has initiated a large scale project to restore the temple. During the excavation work a number of idols, reputedly of great antiquity and worth, have been retrieved from the site of this temple.

Lodha Mohalla: Delwara’s havelis are built in the typical Rajasthani style of architecture and are examples of the work of the region. Horse-shaped toda (pylons), above door-entrances and triple gokhlas (niches) are notable features of the havelis of Lodha Mohalla.

Indra Kund: Indra Kund was built by the Raj Rana Bairisalji. It was consecrated in Vikram Samvat 1913 (AD 1856), on Maha sud 13, or the 13th day of the bright fortnight of the lunar month of Maha (corresponding to February-March). The ‘kund’ has marvellous examples of stone carving and is about 15 metres deep.

Photo- © Paul Asman and Jill Lenoble/Flickr

Photo- © Paul Asman and Jill Lenoble/Flickr

Devigarh Fort: Nestled in the Aravali hills, the 18th century DeviGarh Palace in the village of Delwara, forms one of the three main passes into the valley of Udaipur. Due to its strategic importance, the principality of Delwara was awarded to Sajja Singh, who hailed from Gujarat, for displaying his bravery and loyalty to Maharan Pratap of Mewar against the Mughal Emperor Akbar in the battle of Haldighati (1576). Subsequent rulers made many additions to the building, which was abandoned in the 1960s after the principality was merged into the state of Rajasthan. This all suite luxury hotel comprising of 39 suites takes on the look of modern India, with an emphasis on design and detail, using local marbles and semi-precious stones.

Other temples worth visiting in suburban Delwara are Lakshmi Narayan temple, Kundeshvar Mahadev temple, Kasheshvar Mahadev temple, Kheda Mata temple and Rishabhdev Bhagvan temple.

By Sana Amir

Seva Mandir is one of India’s leading development nonprofit organizations. It currently works with 360,000 people across 700 villages of southern Rajasthan, where over 90% of the population relies on subsistence agriculture and most people live on less than Rs. 20 ($0.35) a day. Delwara is one of the success stories of Seva Mandir where the communities have come together and changed their vicinity themselves.

For more info visit: www.sevamandir.org

(This was earlier published on The Culture Trip)